Tremonti - Episode VI: The End Will Show Us How

[Andy92]

I prefer the production of A Dying Machine and Marching In Time to the songs we’ve heard from this album so far. The End Will Show Us How sounds the best of the bunch to me (love the song in general myself). The heavier stuff could have been mixed better for my tastes.

I’m happy Mark has his own signature amp, but to be honest I wish he was still recording with his Mesa and Bogner. It’s all personal preference, but that combo always made a killer distorted guitar tone.

[riemslag1]

Already album of the month in Dutch Aardschok-magazine. Very much looking forward for this one. Last few Tremonti-albums I preferred compared with the AB-albums. Expect nothing less now. glad I got tickets and m&g for the tour closer in february.

[mitch103]

I prefer the production of A Dying Machine and Marching In Time to the songs we’ve heard from this album so far. The End Will Show Us How sounds the best of the bunch to me (love the song in general myself). The heavier stuff could have been mixed better for my tastes.

I’m happy Mark has his own signature amp, but to be honest I wish he was still recording with his Mesa and Bogner. It’s all personal preference, but that combo always made a killer distorted guitar tone.

I'm pretty sure you don't always hear as much of those two amps as you might think, even when he was still using them live. For example, All I Was and Fortress used his Cornford RK-100 for almost all the dirty tones, Then for the Dying Machine and Last Hero Albums it was the MT-15 and probably for Walk The Sky too. On Marching in Time though I know he used the Omega Granophyre a ton, especially on the lower tunings. Love that amp, want one so bad lol

[Andy92]

I'm pretty sure you don't always hear as much of those two amps as you might think, even when he was still using them live. For example, All I Was and Fortress used his Cornford RK-100 for almost all the dirty tones, Then for the Dying Machine and Last Hero Albums it was the MT-15 and probably for Walk The Sky too. On Marching in Time though I know he used the Omega Granophyre a ton, especially on the lower tunings. Love that amp, want one so bad lol

That’s definitely fair. If my memory serves he was using the Mesa/Bogner combo on Blackbird, but it’s been years since I heard interviews with him talking about his setup for specific albums. I do remember him using the Cornford a lot. Actually never remembered him using a Granophyre but that’s pretty sweet. Those sound brutal for lower tunings.

[scarecrow]

Speaking of Alice in Chains, that new Jerry Cantrell kicks ass and sounds terrific.

i'm a little surprised he's not just chilling somewhere after pocketing all that covid grant money

[scarecrow]

have still only heard the first 2 singles. and haven't relistened much. looking forward to a pretty fresh first listen in 2 weeks and hoping i like those first singles more in the context of the album

[CrowsOnAWire]

First review, albeit one without much detail.

https://newnoisemagazine.com/reviews/al ... ow-us-how/

“The Mother, The Earth, and I” grabs you right from the beginning, setting the tone. Standing out from the rest, Tremonti dives deep into emotion and life.

“One More Time” talks of the of loneliness and survival. “Just Too Much” throws down with those guitars and has that awesome 90’s vibe with enticing and inspiring rhythms. “Nails ” is aggressive and brings the listener to high energy keeping us engaged. “It’s Not Over” is such a beautiful song, with Tremonti’s vocals leading the band, with so much hope in this ballad. You can feel everything in this. “The End Will Show Us How” is a favorite of mine. The vocals tell a story about not giving up on hope. Every instrument comes together with so much conviction and smooth melodies. Every song on The End Will Show Us How has an abundance of depth and sentiment. The musicianship is precise, absolutely stunning, and will grab your heart.

[SHEAKENBAKEN]

https://www.antiheromagazine.com/tremon ... k-mastery/

Mark Tremonti, celebrated guitarist and vocalist known for his work with Creed and Alter Bridge, returns with his sixth solo album, The End Will Show Us How. Scheduled for release on January 10, 2025, via Napalm Records, the album showcases Tremonti’s evolution as a musician and songwriter. With 12 original compositions, each distinct in its sonic identity, the album is a testament to Tremonti’s enduring artistry and ability to captivate listeners

From the outset, the album pulls no punches. The opener, “The Mother, The Earth and I,” sets the tone with its introspective lyrics and intricate guitar work. A favorite of Tremonti’s, the track explores humanity’s connection to the planet, offering a poignant and timely message wrapped in a melodic yet hard-hitting package. The accompanying music video, directed by JT Ibanez, further emphasizes the song’s themes with stunning, cinematic visuals.

The first single, “Just Too Much,” exemplifies Tremonti’s knack for crafting memorable riffs and anthemic choruses. The track’s driving guitar riff underpins a message of perseverance in the face of adversity, a sentiment that resonates deeply in today’s climate. The official video, also directed by Ibanez, complements the song’s energy and intent.

Lyrically and musically, the album traverses a wide emotional spectrum. Tracks like “It’s Not Over” and “I’ll Take My Chances” channel themes of resilience and determination, while “Now That I’ve Made It” serves as an empowering anthem for anyone who has overcome doubt and opposition. The darker tones of “All The Wicked Things” delve into the complexities of human nature, while “Nails,” a long-gestating idea brought to fruition, delivers an intense and cathartic experience.

A standout track, “Tomorrow We Will Fail,” flips the concept of failure on its head, urging listeners to seize the day and confront challenges head-on. It’s an inspiring call to action, underscored by Tremonti’s impassioned vocal delivery and the band’s tight, dynamic instrumentation

Produced by Michael “Elvis” Baskette, who has collaborated with Tremonti since 2007, the album boasts a polished yet organic sound. Baskette’s production highlights the intricacies of the compositions while retaining the raw energy that has become a hallmark of Tremonti’s solo work.

Backed by Eric Friedman on guitars, Tanner Keegan on bass, and Ryan Bennett on drums, Tremonti’s band delivers a cohesive and powerful performance throughout the album. Each member contributes to the album’s rich sonic tapestry, ensuring that every track feels distinct yet part of a unified whole.

With The End Will Show Us How, Mark Tremonti proves once again why he remains a vital force in modern rock. The album’s blend of technical prowess, emotional depth, and memorable songwriting ensures it will resonate with longtime fans and newcomers alike. Whether you’re drawn to the thought-provoking lyrics, the infectious riffs, or the soaring melodies, this album has something to offer. As Tremonti prepares to embark on a global tour in 2025, this release serves as a fitting showcase of his talent and a powerful addition to his already impressive discography.

[Addicted To Pain]

I do not trust that review. It was clearly written by ChatGPT.

[chtimixeur]

Produced by Michael “Elvis” Baskette, who has collaborated with Tremonti since 2007, the album boasts a polished yet organic sound. Baskette’s production highlights the intricacies of the compositions while retaining the raw energy that has become a hallmark of Tremonti’s solo work.

[SHEAKENBAKEN]

https://crypticrock.com/tremonti-the-en ... um-review/

The story of Mark Tremonti is truly one of the most compelling in modern Rock music. Famously recognized as the lead guitarist for the platinum-selling and award-winning Creed, Tremonti swiftly turned his attention to Alter Bridge in 2004. With fellow Creed members Brian Marshall and Scott Phillips, together with Myles Kennedy on vocals, Alter Bridge has become one of the most successful Hard Rock bands of the last two decades.

It is an inspiring tale of one man who has an undying love for music. Mark Tremonti then launched his project Tremonti in 2011. Thought by some as a one-off solo album, he released All I Was in 2012, Cauterize in 2015, Dust in 2016, and it soon became clear that this was a full-fledged band. Sustaining Tremonti now for thirteen long years, he kept Alter Bridge going strong with their last album, Pawn & Kings, hitting in 2022.

Also, in 2022, he put out the Mark Tremonti Sings Frank Sinatra album, and in 2023, Mark Tremonti Christmas Classics New & Old. If that is not enough, Creed united in 2023 for some massive touring. With so much going on, somehow Tremonti is on the verge of putting out a brand new studio album called The End Will Show Us How.

The sixth full-length release under the Tremonti banner, The End Will Show Us How, arrives on January 10, 2025, through Napalm Records. A new mix of songs finds Mark Tremonti back on lead vocals and guitar; joining him is Bassist Tanner Keegan, former Submersed Guitarist Eric Freidman, and former Eye Empire Drummer Ryan Bennett. With an extremely seasoned group of players, with Mark Tremonti stirring the way with some stellar songwriting chops, you are in for yet another strong showing of Heavy Rock.

Now, we say Heavy Rock because anyone who has followed Tremonti knows that the project is vastly different from Creed and Alter Bridge. In fact, Mark Tremonti initially began it all by unleashing his more Heavy Metal-leaning side, which did not quite fit in as much with the other bands. With that in mind, each Tremonti album has been full of thrashy guitars and blistering riffs while putting his absolutely impressive vocals center stage.

Painting this picture, The End Will Show Us How, is an album that is thoughtful, heavy, and darkly undertoned. First, give a taste of what it would be like back in August with the release of the single “Just Too Much,” and you were hit with a thick Grunge-like groove.

Exciting, perhaps the biggest shock to the senses came with the release of “The Mother, The Earth and I” in September. Looking at this one more deeply, the song is an intense bleed of styles that sounds almost like Creed on steroids while Mark Tremonti hits you with lyrics that remind you that no matter how disastrous things seem around us… we can always turn back to the earth for the truth. This song is a wake-up call to look up and realize the beauty right outside your window, a matter of disconnecting from the machine feeding us with unnecessary stress, anxiety, and fear.

From here, October saw the release of the crushing “One More Time” before the absolutely stunning title track in early December. All a bit different in terms of mood, the remainder of The End Will Show Us follows a similar trajectory of diversity. This means you get some mellower moments like “It’s Not Over” or the haunting “All The Wicked Things” mixed in with fully adrenalized guitar riffs as heard on “Nails” and “I’ll Take My Chances.”

Altogether, with twelve songs, The End Will Show Us How is perhaps the most potent Tremonti album to date. You can tell that Mark Tremonti has felt the weight of negativity in the surrounding world more than ever. With that, the world’s seams are slowly coming apart, and the emotions expressed throughout this album certainly hit the soul hard. In short, Mark Tremonti has harnessed his thoughts into music that takes the darkness engulfing the earth and turns it into something full of hope. After all, if we give into the darkness, we have already lost the fight.

Overall, The End Will Show Us How is a fantastic record that balances Heavy Metal tendencies with Grunge and Post-Grunge moodiness. That is why Cryptic Rock recommends digging into the album, giving it 5 out of 5 stars.

[mitch103]

I do not trust that review. It was clearly written by ChatGPT.

Right? Its like the description of most of the songs basically says nothing about what the song sounds like, but rather just elaborates on what it could be like lyrically based off the title haha

[SHEAKENBAKEN]

https://krachfink-de.translate.goog/tre ... _tr_pto=sc

With "The End Will Show Us How", the American rock band TREMONTI has released its sixth album in fourteen years. Due to the distinctive voice and other work of singer and guitarist Mark Tremonti (CREED, ALTER BRIDGE), the bands are somewhat blurred, but the musician remains true to his own line. Slowly but surely, TREMONTI's previous albums also climbed up the German charts; persistence and skill pay off.

A band for those who like to know what to expect and still value quality. The compositions continue to combine hard metal passages with powerful fragments, while TREMONTI also skilfully implements ballads. The pieces are varied and are characterized by dynamic, wave-like structures. If you can do it, you can do it, and so the decades of experience are certainly a big plus.

In "The End Will Show Us How", TREMONTI cover almost the entire musical spectrum - from hard rock to alternative metal to the grunge that was so influential for them in their younger years ("Now That I've Made It"). In these nostalgic moments, they achieve a remarkable depth and are incredibly present. Producer and long-time friend Michael "Elvis" Baskette (including ALTER BRIDGE, SEVENDUST...) does an excellent job here; this is his musical métier, and he gets the best out of it for the band. This also applies to the swelling opener "The Mother, The Earth and I", as well as to what feels like the thirteen thousandth remix of elements from Phantom of the Opera. It's a good idea to start with a song that points to finiteness in a contemporary way and tries to melt all differences down to the essential commonality. It's worth listening to the lyrics too; despite some clichéd key words, the thoughts on self-empowerment and making the most of the moment are quite interesting.

“The End Will Show Us How” by TREMONTI is predictable in the best sense of the word, but always so aggressively charged with the will to make music and to be good that in the end a pleasant feeling remains. Mark Tremonti not only knows which topics and slogans are popular around the world, but also exactly how and when his voice works best. “Live In Fear” goes all out straight away, stopping again and again to start with a brutal, melodic chorus and thus its big moment. However, some of the gimmicks in the production have gone very out of fashion. Live, this is omitted and will work much better. As soon as Tremonti, driven by Ryan Bennett's functional drums, starts one of his artistic solos, no one cares which notes he plays and in which order.

The album is peppered with numerous highlights such as the dark "Nails" or the wildly forward riffing "I'll Take My Chances", even if the big hit for eternity is not on the cards. TREMONTI probably won't be able to produce one again, but in the end they can show a good balance of strong compositions that put them in a better position in direct comparison with bands that were successful for a short time. TREMONTI is extremely good at focusing more on the moment and paying less attention to the effect.

[SHEAKENBAKEN]

https://metalitalia-com.translate.goog/ ... _tr_pto=sc

With a discography now close to reaching the milestone of twenty albums in just over a quarter of a century, it is difficult to expect any innovations from Mark Tremonti, even though his solo project, strong in a more intimate live dimension and greater expressive freedom, has seen the most interesting releases by the Italian-American guitar hero in the last ten years, as has happened with his partner Myles Kennedy.
Starting off a bit quietly with the more metallic “All I Was”, over time Tremonti have grown in terms of ambition with twin albums and increasingly refined concepts, even if the differences from the mother band have become increasingly thinner, as in Kennedy's latest solo work: if it weren't for Mark's voice, the opener “The Mother The Earth And I”, as well as the quieter “It's Not Over” or the title track, would have worked well even on an Alter Bridge album, strong in a modern hard rock not dissimilar to that contained in “Pawns And Kings”.
The heavier component that had characterized the side-project since the beginning emerges in groove-laden songs like “One More Time”, “Nails” or “Live In Fear”, stylistically closer to Sevendust with the addition of much more varied solo parts, but even here there is nothing new compared to what has already been heard in previous works, net of a darker lyrical concept, more inspired than ever by the geopolitical situation.
Also unmissable is the emotional crescendo in the almost six minutes of “Now That I've Made It” (a good piece, even without wanting to bother for the umpteenth time with the comparison to the unattainable “Blackbird”), while the equally long “All The Wicked Things” justifies its length with synth inserts, the only experimental concession to an album that is otherwise faithful to the line but that would have benefited from a slightly leaner tracklist (“Tomorrow We Will Fail” and “The Bottom”, for example, slip by in a rather anonymous way).
As in the MCU – replacing Napalm with Marvel and Michael Baskette with Kevin Feige – Mark Tremonti seems to have become part of a larger system where all the various protagonists (Alter Bridge, Tremonti, Myles Kennedy, Sevendust, Mammoth WVH…) are linked together in a script that has now become consolidated and quite predictable, if still successful.
Cynicism aside, “The End Will Show Us How” is still a good modern hard rock album, strong with excellent guitar textures and always effective choruses.

[SHEAKENBAKEN]

https://www.rocking.gr/reviews/album/Tr ... -How/12630

(I cut out all the non-album review preamble stuff)

The record opens with "The Mother, The Earth And I", the only time since the first album that it doesn't start with a stormy, metal riff. The influences from Alice In Chains stand out immediately, the raps take up space and the vocals become clearer than ever. An amazing guitar in the middle picks up Black Sabbath and brings them into the present day. In today? No, in the '90s it worked for them and it did them good. At first I thought that in the second track the Metallica elements come back to the fore, and indeed it is probably the most like that on the record (the intro is a borderline variation of "Of Wolf And Man"), but here again the grunge character, combined with the well-known melodic Tremonti passes, finally takes the reins. In fact, there is a terrible change in the middle that I think, as an additional reference, also refers to System Of A Down. "Just Too Much", which follows, is full Sabbath-style, but this too with grungy, Alice In Chains and Down filters that do not at all hide Tremonti's unique compositional ability, especially in the melodies. Somewhere around here it becomes clear that Mark's sixth album will be completely different from his previous work. Guitars have a completely different logic and track structure has different priorities. As much as the following "Nails" has the most aggressive, almost Slipknot, riff of the album along with its funniest solo, the general picture is ultimately not altered. But the time has come for the first ballad, "It's Not Over". I'd easily accept the working hypothesis that it was written without being sure if it was Tremonti or Alter Bridge, in fact if I tried a little I might be able to imagine it even with Stapp on the mic.

The intro to the title track is amazing, basically the guitars in this track are unreal. Although this is also, for the most part, melodic and mid tempo, the guitars and vocal lines are so inspired it's chilling. Among the best of his personal discography in general, even for himself. If you think ok, that's how Seattle was, you're wrong. In "Tomorrow We Will Fail" the most Nirvana sounds return and maybe even with a small dose of American punk, in the style of the old Green Day. A slightly brighter, upbeat side comes to the fore here, which goes well with the lyrics too, long lyrics though.

The most classic metal track, in the usual Tremonti way, is "I'll Take My Chances", but without taking on a thrash style. Even the, oh-so-lovely, cuts in the middle are more dark than heavy. In fact, it is one of the most aggressive songs on the album. With "The Bottom" uniting the two musical worlds that inhabit the album, Tremonti moves on to his other more metal track, "Live In Fear". The man knows how to write riffs, the lead guitar of the track is orgy. Some parts are terribly groovy, bordering on Machine Head. Oh yeah, another awesome solo.

In "Now That I've Made It" we return to the dark songs, It's like your favorite song, of how you're torn in two, of how you die inside, of how you paid the price, he will die for us, what does he say The change it has in the middle raises the hair and the piece evolves hedonistically. The disc closes with "All The Wicked Things". Electronic introduction, which however conveys the inner blackness of the lyrics, don't expect for example a sharp riff, like Fear Factory, like in "Another Heart", it doesn't have one. The record's most melodic lead guitars and some god-heavy parts add up to a track that I would expect to say that I'd already pay for Myles to sing it, but in the end Tremonti sings it so beautifully and uniquely that no, the track doesn't need anything, and it has and solara again, and that.

Overall the record is excellent, another chapter in the book of this great musician of our time, who refuses to compromise or stand still. It has a very strong but clean production changing the sound from the earlier Tremonti, in harmony of course with the new material, which gives size to the music but lets it breathe. Expectedly the songwriting is terrible, but unexpectedly the songwriting is even more terrible, with guitars that are shocking even for its own levels. His voice has managed to reach higher levels than ever, with elements reminiscent of the way Myles sings but together with influences that refer elsewhere, such as Dickinson, he keeps his own, personal character that makes the difference. It is no exaggeration to say that Tremonti is now a complete performer who lacks nothing. The record is dark, it is very grunge, very '90s, very personal and internal, but letting rays of light pass through the cracks, pushing with its power into tomorrow. But the bottom line is, once again, his music resonated with life.

[Addicted To Pain]

That is our most detailed review so far.

[SHEAKENBAKEN]

https://www.loudhailermagazine.com/albu ... -tremonti/

With intense instrumentals and hard-hitting lyrics, Tremonti’s The End Will Show Us How conveys important messages throughout this new album.

Mark Tremonti is a member of the bands Creed, Alter Bridge, and heavy metal solo band Tremonti. Three decades and almost nineteen albums into his career, Mark Tremonti continues to amaze long-time fans and new listeners alike. He will take their breath away with his latest endeavor with Tremonti. Tremonti’s members are Mark Tremonti (vocals and guitar), Eric Friedman (guitar), Tanner Keegan (bass), and Ryan Bennett (drums). The band is set to release their sixth studio album The End Will Show Us How on January 10. It will be their first album release since 2021.

The first track, “The Mother, The Earth and I” starts with a funky, distorted guitar and transitions into a medley of fierce electric guitar and powerful drums. “Walking in step with the earth, as nations rise and fall,” sings Mark Tremonti. This track discusses being one with the earth and nature despite everything happening in the world. It also explores the idea of everyone being united and admiring Mother Nature, no matter their religion or beliefs. The track ends with a glorious guitar solo that encapsulates the emotion Mark Tremonti conveys in this song.

The second track on this album, “One More Time,” examines the end of the world or the end times and what role politics/politicians play in this subject matter. The lyrics “tear away at corruption, it preys upon the weak” acknowledge that people who may be ignorant or unaware of the wrongdoings around them are more susceptible to believing corrupt people and systems are actually doing good things for them and the world around them. Later in the song, Mark Tremonti goes into further detail, singing “Fools believe that those who lead will forge a better day.” Ending with a passionate guitar solo, this track has the profound ability to discuss an important topic that is of great relevance to the United States’ current political climate.

Track nine is called “The Bottom.” This track tackles the idea of beginning again, starting from the bottom, and making your way up from there. The song kicks off with an upbeat guitar, which transitions into drums and vocals as the guitar continues. With lyrics like “find your calling today” and “I’ll face the world alone,” this track is seemingly a call to action to push people to do what makes them happy and feel joyous. The inspirational, uplifting lyrics of the song also pair well with the heavy instrumentation and the backing vocals.

The final track on this album is called “All The Wicked Things.” This track explores the idea that humans never learn and continue to do horrible, atrocious things despite the fact that we should know not to. The song begins with distorted synths that sound dystopian but potentially hopeful. The synths then disappear and are replaced by explosive drums and guitars that tear through the optimistic nature of the previous instrumental. To further the song’s message, Mark Tremonti sings “humanity’s gone” and “we’ve taken our world, we’ve torn it apart.” About halfway through the song is a pure instrumental of electric guitar and percussion that blend beautifully with one another. “All The Wicked Things” ends with the same dystopian-sounding synths that started the track.

The End Will Show Us How is truly a spectacular album with strong messaging throughout. The End Will Show Us How 2025 European Tour starts on January 14.

[Addicted To Pain]

That last one looks like it was partially written by ChatGPT. Oh, where the world is going.

[Dolo]

Excuse me, are we just going to flood this thread with album reviews?

[SHEAKENBAKEN]

Unless zaz or a different mod wants to make a separate thread for them I don't see why not. But I think TABN is too dead to bother making a separate thread for it.