Jim wrote:The best practice is absolutely not playing it for a crowd. This is Alter Bridge we're talking about. Not some shitty local band learning some covers for pub crowds. Their reputation relies on the songs being played perfectly, they've spent 10 years earning their way to playing ARENAS. They can't just play a song to a decent level and hope to get better at it, just to get it out there. If they played Calm The Fire and fucked up a couple times, all hell would break loose!? Look at the shit Lzzy got for cracking ONE note in my WOY video.
The scrutiny they're under is so ridiculous, i absolutely understand them wanting to be perfect. So if they have to soundcheck Calm The Fire 10 times a day for a few shows in order to play it 10/15 times+ and to be filmed for DVD, then that's fine by me! Because seriously, if they messed a single note up.. The shit storm that would rain down on them by over-confident, jumped up wannabe musicians across the world would be monumental. It's just not worth that hassle if they can actually perfect it for the shows they want seen by the world forevermore
I agree with you to a point, but take Cry of Achilles. The first night's performance was amazing! Definitely better than decent, but the last few shows just have been a lot more confident. Myles is getting more into it, commanding the crowd to sing along, stuff like that. Same thing with Waters Rising.. The first night was great, but the second night was clearly better. That might've been because of technical issues in the first performance, but what if that happens during Calm The Fire on the night they decide to record it? I assume they practised like hell for Waters Rising, and still something out of their control happened.. I didn't hear many people complaining about the performance; there were mainly happy tweets
that they played it.
Live means that there will be mistakes. I didn't mind that screw-up by Lzzy at all. I thought that made the performance extra human.